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    Entries in Glassmaking (1)


    Glassmaking and Christian Discipleship

    On the Venetian island of Murano glassmakers have been mastering their craft for over a century. This video from Monocle, which caught my eye last week, features the work of Carlo Moretti. You will have to visit the Monocle website to view the video, as I am unable to embed it here.

    Learning about the craft and artisanship of glassmaking is interesting in and of itself. It involves skill, precision, aesthetic sensibility, and flair. Watching the work of the designers and glass masters is wondrously captivating. The glass they create is beautiful, made for the enjoyment and pleasure of the beholder.

    In watching this report, what sparked my imagination was how glassmaking contains numerous elements found within a healthy understanding of Christian discipleship. Among them, I noted the following:

    • Glassmaking requires a kind of knowledge. Master glassblowers understand the properties of glass, how glass is heated and cooled, and how it is shaped. Faith, though possessing an experiential dimension, is likewise a form of knowledge which must be transmitted from generation to generation. One element is proclamation or exhortation, but embodiment, discipline, and demonstration of the knowledge of Christ are also indispensable.
    • To excel at glassmaking requires training. Thanks to our revivalistic heritage in America, Christianity is often depicted as a matter of deciding. While decision is invariably one part of Christianity, discipleship is the difference between a healthy, robust faith and one which stands withering on the vine. To become a master glassblower, one must learn from the masters. The same is true for disciples of Jesus. We must abide first in him, as is commanded in John 15, but we do so in a fellowship wherein we love one another. Within that fellowship, we discover others who excel in the way of Christ, and can pass on to us the lessons they have learned by abiding in him.
    • The development of new talent is necessary for the craft of glassmaking to take on new life. Christianity is by no means a collection of those who are the most naturally talented, but every Christian is given the gift of the Holy Spirit. The Spirit then equips the church for ministry and enables the people of God for mission. As people profess faith in Christ and take their place within the community, their gifts must be developed and utilized for service.
    • Carlo Moretti sought innovation within the glassmaking craft through a generative partnership with "Breaking the Mold." How often do Christian fellowships ask themselves, "What creative opportunities are we missing? What practices or vital pieces of knowledge have been lost, or are now in the process of being forgotten? How can we be vulnerable to external critique and challenge, and who do we trust to help us reconnect with our heritage while simultaneously urging us to boldly enter our next season as an outpost of the kingdom?" When the church has solid ties with theologians, serving either in the university or seminary, this is a possibility. It is also a possibility when the church humbly listens to the child, widow, orphan, aged, broken, and forgotten.
    • To unleash contemporary design possibilities within glassmaking, "Breaking the Mold" first looked back to the techniques of the past. This is described as a process of excavation. Chiara Onida, one of the designers, explains that they first wanted to respect the traditions of the past, while also introducing novelty and innovation. One of the foremost admonishing found in the Bible is to remember. Faithful expressions of Christianity will be in keeping with what has come before, yet possessing a newness or freshness that bears witness to the work of the Spirit.
    • Onida also describes a feeling of privilege as she experiences being part of a living tradition. Glassmaking has not been limited to the present age. The craft precedes us, and if it is well tended, will outlive us. So it is with Christianity. Others have followed Jesus before us, and others will do so long after we die. God's grand drama of history is still in motion. We have the privilege of appearing in a few scenes.
    • Gillian Dobias, the narrator states, "Formulating modern strategies that honor traditions without being bound to them is key to reinvigorating the glassmaking community on the island that has, in recent years, struggled to survive. And working with new talent to find novel ways of working with this fragile but palpable material is an alchemy well worth investing in." That is the tension, and the opportunity, found in following Christ and inviting others to join along today.

    Those are my observations. Have any to add?